Masaharu Take’s films have always focused on painful storiesabout Japan’s “under-class,” people who are often overlooked ina nation stereotyped as monolithically well-to-do. The heroes ofhis latest work, … Click to Continue »
by Brian Rogers
Masaharu Take’s films have always focused on painful storiesabout Japan’s “under-class,” people who are often overlooked ina nation stereotyped as monolithically well-to-do. The heroes ofhis latest work, … Click to Continue »